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Inhaltsangaben
Kurzbeschreibungen
Zusammenfassungen

Buch, Hörbücher:

Russisches Kino

Seite 7

Moscow Believes in Tears: Russians and Their Movies

Autor: Louis Menashe

Taschenbuch, 30.09.2010

The A to Z of Russian and Soviet Cinema: Volume 191 (The a to Z Guide Series, 191, Band 191)

Autor: Peter Rollberg

Taschenbuch, 16.05.2010

Historical Dictionary of Russian and Soviet Cinema (Historical Dictionaries of Literature and the Arts, Band 30)

Autor: Peter Rollberg

Gebundene Ausgabe, 30.11.2008

The Cult of Ivan the Terrible in Stalin's Russia (Studies in Russian and East European History and Society)

Autor: M. Perrie

Gebundene Ausgabe, 25.10.2001

The Sad Comedy of El'dar Riazanov: An Introduction to Russia's Most Popular Filmmaker

David MacFadyen

Taschenbuch

Cinematic Cold War: The American and Soviet Struggle for Hearts and Minds

Tony Shaw, Denise J. Youngblood

Gebundene Ausgabe

Eisenstein Rediscovered (Soviet Cinema)

Ian Christie

Gebundene Ausgabe

Are My Blinkers Showing?: Adventures in Filmmaking in the New Russia

Michael York

Gebundene Ausgabe

Cinema In Revolution: The Heroic Era Of The Soviet Film: Heroic Era of Soviet Films (Da Capo Paperback)

Luda Schnitzer, Jean Schnitzer, Marcel Martin

Taschenbuch

Visions of a New Land - Soviet Film from the Revolution to the Second World War

Emma Widdis

Taschenbuch

Stalinist Cinema and the Production of History: Museum of the Revolution

Evgeny Dobrenko

Gebundene Ausgabe

Glasnost-Soviet Cinema Responds (Texas Film Studies Series)

Nicholas Galichenko

Taschenbuch

Woman with a Movie Camera: My Life as a Russian Filmmaker (Constructs)

Marina Goldovskaya

Taschenbuch

last edition

Alexander Medvedkin Reader (Cinema and Modernity)

Alexander Medvedkin

Taschenbuch

Broschiertes Buch
Filmmaker Alexander Medvedkin (1900-89), a contemporary of Sergei Eisenstein and Alexander Dovzhenko, is celebrated today for his unique form of "total" documentary cinema, which aimed to bridge the distance between film and life, and for his use of satire during a period when the Soviet authorities preferred that laughter be confined to narrowly prescribed channels. This collection of selected writings by Medvedkin is the first of its kind and reveals how his work is a crucial link in the history of documentary film. Although he was a dedicated communist, Medvedkin's satirical approach and social critiques ultimately led to his suppression by the Soviet regime. State institutions held back or marginalized his work, and for many years, his films were assumed to have been lost or destroyed. These texts, many assembled for this volume by Medvedkin himself, document for the first time his considerable achievements, experiments in film and theater, and attempts to develop satire as a major Soviet film genre. Through scripts, letters, autobiographical writings, and more, we see a Medvedkin supported and admired by figures like Eisenstein, Dovzhenko, and Maxim Gorky. This is a rich testimony to the talent and inventiveness of one of the Soviet era's most revolutionary filmmakers.

Buch, Hörbücher: Russisch
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