Bücher	Elektronik, Foto
Musik-CDs	DVDs, Blu-ray
Spielzeug	Software

Freizeit, Sport	Haus und Garten
Computerspiele	Küchengeräte
Essen und Trinken	Drogerie und Bad

Inhaltsangaben
Kurzbeschreibungen
Zusammenfassungen

Buch, Hörbücher:

Klassische Musiktheorie

Seite 9

Structurally Sound: Seven Musical Masterworks Deconstructed (Dover Books on Music: Analysis)

Autor: Eric Wen

Taschenbuch, 17.05.2017

The Oxford Handbook of Jewish Music Studies (Oxford Handbooks)

Herausgeber: Tina Frhauf

Gebundene Ausgabe, 28.11.2023

Hearing Form: Musical Analysis With and Without the Score

Autor: Matthew Santa

Taschenbuch, 30.12.2022

Music and the French Enlightenment

Cynthia Verba

Taschenbuch

Overtures (William Walton Edition)

William Walton

Gebundene Ausgabe

Musikliteratur

Schoenberg's Early Correspondence (Schoenberg in Words)

Taschenbuch

Anthologie von Orchesterwerken: Vol. 1. Orchester. Studienpartitur. (The Masterworks Library)

Taschenbuch

3 dance episodes from On the town| Symphonic dances from Westside Story

Musikdenken heute: Teil 2. (Darmstädter Beiträge zur Neuen Musik)

Pierre Boulez

Musiknoten

Thomas, Ernst, ed| Darmstädter Beiträge zur Neuen Musik Band 6

Minimalists (20th Century Composers)

Schwarz

Taschenbuch

" Many do not consider minimalism to be an entirely respectable field of academic pursuit, " admits author K. Robert Schwartz in his " Acknowledgments" in The Minimalists, a volume in the Phaidon Press Limited 20th Century Composers series. Minimalism, with its emphasis on seemingly endless repetition, can be physically damaging to those who attempt to perform it either vocally or instrumentally, and is terminally boring to those unable to tune into its subtle charms. On the other hand, it's tremendously popular, and has won new audiences to the concert hall and opera house. Schwartz explores the lives and work of America's two leading minimalists, Steve Reich and Philip Glass, in depth, and looks at seven other practitioners-La Monte Young, Terry Riley, John Adams, Meredith Monk, Michael Nyman, Louis Andriessen, and Arvo Part-more lightly. There are some amusing side trips here ( Philip Glass refuses to acknowledge any intellectual debts to his predecessors; his predecessors object to his attitude), and a wealth of detail on these composers, their foibles, and what they're trying to achieve with their music.

Compositional Theory in the Eighteenth Century

Joel Lester

Taschenbuch

Authenticity and Early Music: A Symposium

Taschenbuch

The Art of Performance

Heinrich Schenker

Taschenbuch

Film Music: The Pocket Essential Guide

Paul Tonks

Audible Hörbuch

Classical purists say it isn't 'real' music, yet it regularly tops charts and plays to sell-out concert hall audiences. Chart music followers consider the orchestral form passé, yet artists are increasingly sampling from cinema classics. Many cinemagoers are unaware there is music accompanying the films they watch. Some composers say that's the way it should be. Others strongly disagree.

This book celebrates the rich history behind all these views.

Who have been the most influential composers and who have they influenced? Which scores have best served a film and why? What have been the historical, social, and technological changes that have affected the industry? This book addresses all these points in a chronological examination of this much-maligned art form.

From Ben Hur to Star Wars and Psycho to Scream, film music has played an essential role in such genre-defining classics. Making us laugh, cry, and jump with fright, it's the manipulative tool directors cannot do without.

There are many differing approaches and opinions about what achieves a desired emotional effect, with composers always hunting a golden rulebook of tricks they can employ. This isn't that particular book.

What's in it? The turbulent history, the ever-changing craft, the reclusive or limelight-loving superstars, the enthusiastic world of fandom surrounding it, and the best way to build a collection. It's all streamlined into a user-friendly guide for buffs and novices alike.