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Inhaltsangaben
Kurzbeschreibungen
Zusammenfassungen

Buch, Hörbücher:

Fotografie

Seite 10

Karl Blossfeldt; Photographs 1865-1932

Karl Blossfeldt, Rolf Sachsse

B, Broschiert

Chambre Close

Bettina Rheims, Serge Bramly

Gebundene Ausgabe

Lady Lisa Lyon (Heyne Allgemeine Reihe (01))

Taschenbuch

Lady Lisa Lyon ( Heyne Allgemeine Reihe (01))

Memoiren 1902-1945

Leni Riefenstahl

B, Broschiert

Memoiren 1902-1945 Leni Riefenstahl Ullstein Tb

Alte Völklinger Hütte (Opus, Vol. 28)

Lucius Burckhardt, Hans Meyer-Veden

Gebundene Ausgabe

Nan Goldin (55)

Guido Costa

Taschenbuch

The Family of Man 1955-2001: Humanismus und Postmoderne: Eine Revision von Edward Steichens Fotoausstellung Humanism and Postmodernism: A Reappraisal of the Photo Exhibition by Edward Steichen

Gebundene Ausgabe

Amerika. Bilder aus den Jahren der Depression

Walker Evans

Taschenbuch

August Sander: Photographien (Photographic Study S.)

Susanne Lange

Gebundene Ausgabe

Photographer August Sander's great gift to the world is his collection of portraits documenting German society in the early decades of the 20th century. His sitters are anonymous, described simply by their occupation, with the stories of their lives, hard or soft, written on their faces. Drawn from all ranks of society, they look at us with a directness and honesty that reflect those of the man behind the camera. There is little artifice in their settings; Sander captures the essence of his subject's character through a neutral but sympathetic simplicity of vision. Calling his portfolio < I> People of the Twentieth Century, Sander builds a picture of the Germany of his day that is at the same time both an artistic and sociological study. The calmness and humanity of his photographs contrast starkly with the violence of his times; though his work is pointedly apolitical, portrait titles such as < I> Victim of Persecution, Cologne, 1938 suggest the hysteria that was overtaking contemporary Europe. Printed in Italy, this study presents a trilingual essay and 168 high-quality reproductions of Sander's work. Complementing the portraits are powerful landscape compositions of idyllic countryside and bombed-out ruins. The book is a fine introduction to the work of a pioneer who refined portraiture to its essence, changing the way photography was regarded in Germany and the world. < I>-John Stevenson