Krimi und Thriller Filme

Landscapes of Western Movies: A History of Filming on Location, 1900-1970

Autor: Jeremy Agnew

Donnie Brasco

Autor: Joseph D Pistone

Mord im Kino. Geschichte und Mythologie des Detektiv- Films.

The Art and Making of Dungeons & Dragons: Honor Among Thieves

Autoren: Eleni Roussos
Vorwort: John Francis Daley, Jonathan Goldstein

Bruce Lee ETD Scrapbook sequences Vol 8

Redakteur: Ricky Baker
Designer: Timothy Hollingsworth

Tech-Noir: The Fusion of Science Fiction and Film Noir

Paul Meehan

Hollywood vs. The Author

Stephen Jay Schwartz - editor, Naomi Hirahara, Lawrence Block, Alexandra Sokoloff, Michael Connelly, T. Jefferson Parker

It's no secret that authors have a love-hate relationship with Hollywood. The oft-repeated cliché that "the book was better than the movie" holds true for more reasons than the average reader will ever know. When asked about selling their book rights to Hollywood authors like to joke that they drive their manuscripts to the border of Arizona and California and toss them over the fence, driving back the way they came at breakneck speed. This is probably because Hollywood just doesn't "get it. " Its vision for the film or T V series rarely seems to match the vision of the author. And for those rare individuals who've had the fortune of sitting across the desk from one of the myriad, interchangeable development execs praising the brilliance of their work while ticking off a never-ending list of notes for the rewrite, the pros of pitching their work to Hollywood rarely outweigh the cons.

Stephen Jay Schwartz has sat on both sides of that desk - first as the Director of Development for film director Wolfgang Petersen, then as a screenwriter and author pitching his work to the film and television industry. He's seen all sides of what is known in this small community as " Development Hell. " The process is both amusing and heartbreaking. Most authors whose work contains a modicum of commercial potential eventually find themselves in "the room" taking a shot at seeing their creations re-visualized by agents, producers or development executives. What they often discover is that their audience is younger and less worldly as themselves. What passes for "story notes" is often a mishmash of vaguely connected ideas intended to put the producer's personal stamp on the project.

Hollywood vs. The Author is a collection of non-fiction anecdotes by authors who've had the pleasure of experiencing the development room firsthand - some who have successfully managed to straddle the two worlds, seeing their works morph into the kinds of feature films and T V shows that make them proud, and others who stepped blindsided into that room after selling their first or second novels. All the stories in this collection illustrate the great divide between the world of literature and the big or small screen. They underscore the insanity of every crazy thing you've ever heard about Hollywood. For insiders and outsiders alike, Hollywood vs. The Author delivers the goods.

Da Vinci code by Dan Brown(2014-05-22)

The Charlie Chan Films (hardback)

James L. Neibaur

The Big Goodbye: Chinatown and the Last Years of Hollywood

Sam Wasson

VIRUS KALENDER 2018

Das silberne Dreieck

Edgar Wallace

Nordic Noir. Skandinavische Fernsehserien und ihr internationaler Erfolg (Alltag, Medien und Kultur)

Lea Gamula, Lothar Mikos

Film noir und Neo-Noir

Paul Werner

Dr. Mabuse, der Spieler. Roman /Film /Dokumente

Creatures of Darkness: Raymond Chandler, Detective Fiction, and Film Noir (English Edition)

Autor: Gene D. Phillips

Street with No Name: A History of the Classic American Film Noir (English Edition)

Autor: Andrew Dickos

Krimi und Thriller