Cellos

The Piano Guys - Chill: Piano / Cello

Mitwirkende: Piano Guys

The Piano Guys Lullaby: Piano / Cello

Mitwirkende: Piano Guys

Ultimate Pop & Rock Instrumental Solos for Strings: Cello, Book & CD

All For Strings Theory Book 2: Cello

Autoren: Robert Frost, Gerald Anderson

Traditionelle Weihnachtslieder für Streicherklassen: Violoncello

Autoren: Markus Kiefer, Barbara Marsch, Theodor Schmidt

Easy Christmas Songs For Solo Cello: First Position Xmas Carols Anyone Can Play with TAB, Letter, Big Note Heads, Fingering (for Beginners and Kids) ... Can Play - Easy Christmas Songs for Strings)

Autoren: Lido Publishing, Jane Dominguez

Season of Carols: Easy Solo Cello and Piano

Idee: Bruce Healey

Bunraku for Cello Solo: Sheet (Edition Peters)

Komponist: Toshiro Mayuzumi

50 Christmas Solos for Cello with Piano Accompaniment: Vols. 1-5

Autor: B. C. Dockery

Witches' Brew for Cello -- 16 Spooky Pieces to Play and Sing [Incl. CD]: Beginner to Preliminary Grade (Open Strings and 1st Fingers), CD: Piano Acc. (Edition Peters)

Komponist: Caroline Lumsden, Ben Attwood

Hohe Schule des Violoncello-Spiels. 40 Etüden für Violoncello solo op. 73

David Popper

Sechs Ungarische Tänze: Flöte (Violine), Violoncello und Klavier. Partitur und Stimmen.

Doris Geller

Trio d-Moll: (Bearbeitung des orig. Violinparts für Flöte vom Komponisten). op. 49. Flöte, Violoncello und Klavier. Partitur und Stimmen.

Frank Michael

Michael, Frank, ed

6 Duos: op. 4. 2 Violoncelli. Spielpartitur. (Cello-Bibliothek)

2 Sonatas: Nr. 5 C-Dur und Nr. 6 G-Dur. Violoncello und Klavier. (Cello-Bibliothek)

Concerto: Nr. 4 G-Dur. op. 65. Violoncello und Klavier. (Edition Schott)

Klassische Stücke für den Anfang: Band 1. Violoncello und Klavier.

Der Cello-Bär, Bd.2

Heike Wundling

Sechs Suiten. Spielpartitur(en), Sammelband, Urtextausgabe. BÄRENREITER URTEXT

Johann Sebastian Bach, Andrew Talle

6 Suites for Violoncello solo B W V 1007-1012 When you think cello, you think of Bach's immortal cello suites. The suites take centre stage in the cello literature. They are timeless and beautiful and accompany cellists from their student years up through their professional career at the highest level. Appropriately and not surprisingly there are countless editions of the suites. But the composer's autograph has not come down to us. It is lost and this circumstance has always been a major challenge for editors. The four surviving handwritten sources and the original first edition of 1824 differ in many details, the articulation and phrasing being particularly ambiguous. At Bärenreiter, having published the New Bach Edition and presently publishing the New Bach Edition-Revised, we feel particularly committed to the cello suites. We have approached the editorial problems from several angles and have published editions that meet the needs of students and professional performers alike. This new edition, based on volume 4 of the New Bach Edition - Revised ( N B Arev), now completes Bärenreiter's collection of the cello suite editions. Andrew Talle has fundamentally reassessed the relations between the surviving sources and has drawn conclusions regarding their evaluation and consequently the genesis of the suites. His evaluations are augmented with thorough discussions of the instrument for which the suites were conceived and the interpretative practices in Bach's day. The musical text of the edition is based on these findings. It approaches the composer's original intentionsas far as the sources will permit. Details regarding articulation were deemed as being viable and were added to the musical text if they appeared in the majority of the sources. " This edition does not present a perfect reconstruction of the lost autograph; no editor could claim to do so. Instead, Ihave attempted to provide musicians and scholars with a reliable version of the surviving musical text . . .

Sonata G-Dur: op. 1/1. Violoncello und Basso continuo. (Cello-Bibliothek)

Cellos