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Inhaltsangaben
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Buch, Hörbücher:

Klassische Musiktheorie

Seite 4

Notenheft mit Notenlinien und Hilfslinien: A4 Für Das Gleichmäßige Schreiben Und Lernen Von Noten - Für Musiker Und Schüler Zum Schreiben Und Lernen ... A4 MIT Hilfslinien (Kästchen Hintergrund)

Autor: Jessy Reinhardt

Taschenbuch, 18.08.2021

Guide to the Practical Study of Harmony (Dover Books on Music: Analysis)

Autor: Peter Ilyitch Tchaikovsky

Taschenbuch, 01.04.2005

Beginner Piano Course Complete Level 1, Level 2 & Level 3 by Stefan Wyatt (Beginner Piano Course by Stefan Wyatt, Band 5)

Autor: Stefan Wyatt

Taschenbuch, 17.02.2024

The Masterwork In Music Volume 2 (1926)

Autor: Heinrich Schenker

Taschenbuch, 27.11.2014

Structural Functions of Harmony

Arnold Schoenberg

Taschenbuch

Form in Indian Music: A Study in Gharanas: A Study in Gharannas

Chetan Karnani

Gebundene Ausgabe

Classical Music of India: A Practical Guide

Viji Subramaniam

Taschenbuch

Swingin' the Blues: The Eugenie Rocherolle Series Intermediate Piano Solos

Taschenbuch

Rare Book

The Oxford Handbook of Topic Theory (Oxford Handbooks)

Danuta Mirka

Taschenbuch

Topics are musical signs developed and employed primarily during the long eighteenth century. Their significance relies on associations that are clearly recognizable to the listener with different genres, styles and types of music making. Topic theory, which is used to explain conventional subjects of musical composition in this period, is grounded in eighteenth-century music theory, aesthetics, and criticism, while drawing also from music cognition and semiotics. The concept of topics was introduced into by Leonard Ratner in the 1980s to account for cross-references between eighteenth-century styles and genres. As the invention of a twentieth-century academic, topic theory as a field is comparatively new, and The Oxford Handbook of Topic Theory provides a much-needed reconstruction of the field's aesthetic underpinnings. The volume grounds the concept of topics in eighteenth-century music theory, aesthetics, and criticism. Documenting the historical reality of individual topics on the basis of eighteenth-century sources, it traces the origins of topical mixtures to transformations of eighteenth-century musical life, and relates topical analysis to other methods of music analysis conducted from the perspectives of composers, performers, and listeners. Focusing its scope on eighteenth-century musical repertoire, The Oxford Handbook of Topic Theory lays the foundation for further investigation of topics in music of the nineteenth, twentieth, and twenty-first centuries.